Spílmani, skákaci a komedanti (Tabarino, Ganassa & Co., Praha - Pariz, 1570-1572)
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CONTRIBUTORS:
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JOURNAL:
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YEAR:
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2003
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PUB TYPE:
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Journal Article
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SUBJECT(S):
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None
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DISCIPLINE:
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Fine Arts/Performing Arts
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HTTP:
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LANGUAGE:
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Czech
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PUB ID:
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103-398-449
(Last edited on
2004/01/05 15:15:50 US/Mountain)
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SPONSOR(S):
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REFERENCES:
(Display Abstract)
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(2001)
Per la storia della Commedia dell'Arte: "Il Basilisco del Bernagasso"
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Ferrone, Siro; Burattelli, Claudia; Landolfi, Domenica; Zinanni, Anna.
(1993)
Comici dell'Arte: Corrispondenze; G. B. Andreini - N. Barbieri - P. M. Cecchini - S. Fiorillo - T. Martinelli - F. Scala Firenze: Le Lettere.
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Gambelli, Delia.
(1993)
Arlecchino a Parigi: dall'inferno alla corte del Re Sole Roma: Bulzoni.
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Graham, Victor E.; Johnson, W. McAllister; Bouquet, Simon.
(1974)
The Paris entries of Charles IX and Elisabeth of Austria, 1571: With an analysis of Simon Bouquet's Bref et sommaire recueil Toronto and Buffalo: University of Toronto Press.
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3
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Howarth, W. D..
(1997)
French theatre in the neo-classical era, 1550-1789 Cambridge and New York, NY, USA: Cambridge University Press.
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Katritzky, M A.
(1995)
A study in the commedia dell'arte 1560-1620 with special reference to the visual records (2 vols - unpublished)
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Katritzky, M. A..
(1996)
Orlando di Lasso and the commedia dell'arte
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25
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Katritzky, M. A..
(1992)
The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568)
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12
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Kaufmann, Thomas DaCosta.
(1978)
Variations on the Imperial theme in the age of Maximilian II and Rudolf II New York: Garland Pub..
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Mamczarz, Irčne.
(1999)
Le masque et l'âme Paris: None.
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1
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Venturini, Elena.
(2002)
Le collezioni Gonzaga: Il carteggio tra la Corte Cesarea a Mantova (1559-1636) Cinisello Balsamo (Milano) : Silvana Ed..
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