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EDITORIAL BOARD:
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PUBLISHER:
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START/END YEAR:
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1975 -
Present
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PUB TYPE:
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Journal/Periodical/Series
(Unknown review procedure, 3 item(s) per year)
ISSN: 0307-8833
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SUBJECT(S):
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Theater; Periodicals
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DISCIPLINE:
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No discipline assigned
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LC NUMBER:
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PN2001 .T436
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HTTP:
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LANGUAGE:
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Multiple languages
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DISPLAY ABSTRACT:
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No
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PUB ID:
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100-483-835
(Last edited on
2005/01/17 21:00:13 US/Mountain)
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ARTICLES/BOOKS:
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<<<
1
2
>>>
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n.s.2(1):
73 -
74 |
[
0
|
1
]
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(Das Burgtheater und sein Publikum [review]) (1976)
Closs, August.
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16(3):
201 -
215 |
[
25
|
0
]
|
How did the commedia dell'arte cross the Alps to Bavaria? (1991)
Katritzky, M. A..
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16(??):
155 -
156 |
[
0
|
1
]
|
The commedia dell'arte from the Renaissance to Dario Fo. edited by Christopher Cairns 1989 (1991)
Mulryne Ronnie, .
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|
20(3):
189 -
199 |
[
1
|
3
]
|
The law of writ and the liberty (1995)
Anderson, Michael.
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21(2):
108 -
120 |
[
15
|
0
]
|
Eight portraits of Gelosi actors in 1589? (1996)
Katritzky, M. A..
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22(3):
185 -
189 |
[
1
|
3
]
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Theatre iconography: an introduction (1997)
Erenstein, Robert L.
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22(3):
202 -
218 |
[
2
|
1
]
|
Doubtful images (1997)
Hummelen, W M H.
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23(2):
99 -
102 |
[
11
|
7
]
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The commedia dell'arte: an introduction (1998)
Katritzky, M. A..
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23(2):
102 -
195 |
[
10
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0
]
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The commedia dell'arte: actors and artists (Conference, Wimbledon School of Art London, May 1996) (1998)
Katritzky, M. A..
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23(2):
104 -
126 |
[
35
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0
]
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Was commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598 (1998)
Katritzky, M. A..
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23(2):
127 -
132 |
[
9
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0
]
|
An unknown portrait of Tiberio Fiorilli (1998)
Aliverti, Maria Ines.
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23(2):
133 -
141 |
[
16
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0
]
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The charlatans of the Pont-Neuf (1998)
Marks, Jonathan.
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23(2):
142 -
151 |
[
15
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0
]
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Actor-authors of the commedia dell'arte: the dramatic writings of Flaminio Scala and Giambattista Andreini (1998)
Molinari, Cesare.
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23(2):
152 -
158 |
[
14
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0
]
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'La virtu et la volupte'. Models for the actress in early modern Italy and France (1998)
Scott, Virginia.
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23(2):
159 -
166 |
[
8
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1
]
|
Harlequin, Holberg, and the (In)visible masks: commedia dell'arte in eighteenth-century Denmark (1998)
Holm, Bent.
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23(2):
167 -
173 |
[
8
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0
]
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The idea of commedia in the twentieth century (1998)
Anderson, Michael.
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23(2):
174 -
178 |
[
10
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0
]
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The drive to communicate - The use of language in commedia dell'arte (1998)
Beale, Geoff; Gayton, Howard.
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24(2):
160 -
167 |
[
17
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0
]
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Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography (1999)
Katritzky, M A.
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25(2):
203 -
204 |
[
1
|
2
]
|
Reviews (Picturing performance: the iconography of the performing arts in concept and practice) (2000)
Senelick, Laurence.
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25(??):
217 -
232 |
[
14
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0
]
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Comic stage routines in Guarinonius' medical treatise of 1610 (2000)
Katritzky, M A.
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29(1):
78 -
81 |
[
6
|
1
]
|
Robert Henke, 'Performance and literature in the commedia dell'arte', Cambridge University Press, 2002 (2004)
Katritzky, M A.
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29(1):
78 -
81 |
[
6
|
0
]
|
Anne MacNeil, Music and women of the commedia dell'arte in the late sixteenth century, Oxford University Press, 2003 (2004)
Katritzky, M A.
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29(1):
78 -
81 |
[
7
|
1
]
|
Britta Brandt, Das Spiel mit Gattungen bei Isabella Canali Andreini, Wilhelmsfeld (Gottfried Egert), 2002 (2004)
Katritzky, M A.
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29(1):
78 -
81 |
[
6
|
0
]
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Julie D Campbell (editor), Isabella Andreini's La mirtilla: a pastoral, Tempe (Arizona Center for Medieval and Renaissance Studies), 2002 (2004)
Katritzky, M A.
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29(1):
78 -
81 |
[
7
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0
]
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Timothy J McGee (editor), Improvisation in the arts of the Middle Ages and Renaissance, Kalamazoo (Medieval Institute Publications), 2003 (2004)
Katritzky, M A.
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