Gestalt Psycholocigal Music Analysis Theory and Method.
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CONTRIBUTORS:
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JOURNAL:
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Special web article. ESCOM 10th Anniversary Conference: Musical Creativity,
2005(1)
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YEAR:
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2002
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PUB TYPE:
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Special Issue
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SUBJECT(S):
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Cognitive Musicology, Gestalt Theory, Music Psychology, Japanese Flute Music
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DISCIPLINE:
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Music/Musicology
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HTTP:
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LANGUAGE:
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English
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PUB ID:
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103-421-599
(Last edited on
2006/08/26 12:11:54 GMT-6)
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SPONSOR(S):
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DESCRIPTION:
The main targets in this case are to form the Gestalt Psychological Music Analysis method (GPMA), a survey to the Gestalt theories, as well as to analyse the Japanese Shakuhachi flute music piece Kokuu (10:20) as a case analysis. The analysis is concentrated to the focus of the auditive, phenomenological associations of the piece together with the visual, sonological graphical prints, as well as the cultural Gestalt frame analysis.
The method is created according to the theory of the Gestalt psychology and the cognitive musicology. In the method the whole structure of the music piece has its affects to the parts, and the Gestalt psychology tries to find the principles of human’s psychical behavior. The whole of the musical piece is, due to this case, more important than its parts; we perceive first the impression of the whole Gestalt and then the impressions of the parts.
With the article and seminar paper the author took part to the 10th Anniversary Competition and it was ranked to one of the finalists.
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