Performance as a Musical Gestalt: One Interpretation of Iegor Reznikoff's Chant
|
 |
|
Post a Comment
|
 |
|
|
|
CONTRIBUTORS:
|
|
|
CONFERENCE TITLE:
|
|
|
CONF. LOCATION:
|
None
|
|
YEAR:
|
2003
|
|
PUB TYPE:
|
Conference Paper
|
|
SUBJECT(S):
|
Musicology, Performance analysis method
|
|
DISCIPLINE:
|
Music/Musicology
|
|
HTTP:
|
|
|
LANGUAGE:
|
English
|
|
PUB ID:
|
103-421-443
(Last edited on
2006/08/26 11:53:46 GMT-6)
|
|
SPONSOR(S):
|
|
|
ABSTRACT:
The aim of the paper is to demonstrate with one music example how the living performance is able to analyse and interpret (body movements, facial and eye analysis, emotional space of the performance). Prof. Camurri's and Sundberg's theories of performances were adapted to the analysis method.
|
|
|
|
STATISTICS
|
|
Click on # to view
|
|
Citations
|
|
1
|
|
References
|
|
0
|
|
Comments
|
|
0
|
|
Quality
|
|
0/0.00
|
|
Interest
|
|
0/0.00
|
|
View(er)s
|
|
3/162
|
|
|
|
|
|
|
| Prev |
Next |
|