The commedia dell'arte: actors and artists (Conference, Wimbledon School of Art London, May 1996)
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CONTRIBUTORS:
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JOURNAL:
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YEAR:
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1998
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PUB TYPE:
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Special Issue
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SUBJECT(S):
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sixteenth to twentieth centuries , history and criticism , language and culture , theater , drama , acting , commedia dell'arte , art , medicine , quacks and quackery , women's studies
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DISCIPLINE:
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History
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HTTP:
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LANGUAGE:
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English
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PUB ID:
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103-388-060
(Last edited on
2003/03/16 08:27:52 US/Mountain)
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SPONSOR(S):
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DESCRIPTION:
Contributions from practising directors and actors as well as historians of theatre, art and literature:
The commedia dell'arte, an introduction (Katritzky);
Was commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598;
An unknown portrait of Tiberio Fiorilli (Aliverti);
The charlatans of the Pont-Neuf (Marks);
Actor-authors of the commedia dell'arte: the dramatic writings of Flaminio Scala and Giambattista Andreini (Molinari);
'La virtu et la volupte'. Models for the actress in early modern Italy and France (Scott);
Harlequin, Holberg and the (in)visible masks: commedia dell'arte in eighteenth-century Denmark (Holm);
The idea of commedia in the twentieth century (Anderson);
The drive to communicate - the use of language in commedia dell'arte (Beale and Gayton)
Illustrations (5 color, 13 b/w)
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