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[
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3
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Henke, Robert.
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Border-crossing in the commedia dell'arte
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Henke, Robert; Nicholson, Eric.
(2008)
Transnational exchange in early modern theater Aldershot: Ashgate.
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(Book, Edited in the series
Studies in performance and early modern drama
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2
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Kerr, Rosalind.
(2003)
The maid servant as "The hole in the Social Cell": representations of the maid Francisquina in the Recueil Fossard
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(Conference Paper presented at the
ARTC / ACTR Annual Conference 2003
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2
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Henke, Robert.
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Performance and literature in the commedia dell'arte Cambridge: Cambridge University Press.
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Barasch, Frances K.
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Theatrical prints: Zany, Pantalone, and the Elizabethans
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On page and stage: Shakespeare in Polish and world culture
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Ceccarelli-Pellegrino, Alba.
(2000)
La gravure "Ancilla comoediae" (L'"Improvvisa" alla corte di Enrico III)
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Lettere e Arti nel Rinascimento (atti del X convegno internazionale, Chianciano-Pienza 20-23 lugli 1998)
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Christopher Cairns, .
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La commedia dell'arte en Europe
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Spectacvlvm Evropaevm
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Sadlak, Antoni N Zalewski.
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Harlequin comes to England: the early evidence of the commedia dell'arte in England and the formulation of English harlequinades and pantomimes
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James, Carlo; Cohn, Marjorie B..
(1997)
Old master prints and drawings: A guide to preservation and conservation Amsterdam: Amsterdam University Press.
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Theile, Wolfgang.
(1997)
Commedia dell'arte: Geschichte, Theorie, Praxis Wiesbaden: Harrassowitz.
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Leik, Angelika.
(1996)
Frühe Darstellungen der Commedia dell'Arte. Eine Theaterform als Bildmotiv Neuried: ars una.
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Kellein, Thomas.
(1995)
Pierrot. Melancholie und Maske Munich & NY: Prestel.
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Castagno, P.
(1994)
The early commedia dell'arte New York: Peter Lang.
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Holm, Bent.
(1991)
Solkonge og Manekejser. Ikonografiske studier i Francois Fossards Cabinet Kobenhavn: Gyldendal.
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Holm, Bent.
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King, carnival and commedia: images in the "Copenhagen" Fossard collection
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Leik, Angelika.
(1991)
Fruehe Darstellungen der Commedia dell'Arte in der bildenden Kunst
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